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When the Way comes to an end, then change - having changed, you pass through. I Ching
Source: Warrior Quotes

TACTICS & PHILOSOPHY

Bujutsu EN
Ki-related arts and practices EN
Sun Tzu Bing Fa EN
A Book of Five Rings Go Rin No Sho by samurai.com EN
Japanese Terminology and Glossary by United States Ju-Jitsu Federation EN
Hagakure Kikigaki of Yamamoto Tsunetomo EN
The Concept of Kendo kendo.or.jp JP EN
Warrior Quotes EN
Aikido faq aikidofaq.com EN
Zatoichi, the Blind Swordsman new !!!
Sumo Glossary EN
The Samurai EN
Yoshinao Nanbu, founder of Nanbudo nanbudo.org HR EN
Dr. Joo Bang Lee hwarangdo.com EN
Chris Gilham
Shin Kage Ryu EN
Ninja history warriorquest.com EN
Points to be Aware of in a Kendo Examination EN
Kyu Yanagawa Han Kobudo Shinkokai
Nikola's Ninjutsu page  EN
 
Kibusho geocities.com/typhon_vision EN
Das Osho Meditationszentrum Köln oshouta.de D
Japanese armor wpi.edu/~jforgeng EN
Consciousness-Meditation (links) life-cycles-destiny.com EN
Vizjak's Aikido yahoo.com EN
Historique et philosophie du karate FR
Warrior Quest The Virtues of Zankanjo warriorquest.com EN
REIKI
Reiki: Usui Shiki RyoHo  sumikiri.org EN
TACTICS
GO - Weiqi - Baduk - the game  libero.it/japaneasy IT
JOURNALS
Electronic Journals of Martial Arts and Sciences EN
Furyu EN
International Hoplology Society  EN
PAWMA - Pacific Association of Women Martial Artists EN
Dragon Times  EN
Kenyu Online  EN
Journal of Combative Sport EN
International Jodo Federation  EN
Journal of Japanese Sword Arts  EN
Northern California Kyudo Federation Newsletter  EN
Kendo World News  EN
Journal of Asian Martial Arts  EN
Midwest Kendo Federation News  EN
Kendo Nippon Monthly  EN
SEMPO: Midwest Kendo Newsletter  EN
The Iaido News  EN
Kendo Jidai  EN
Koryu Online  EN
Hawaii Kendo EN
Sumo Shimpo - California Sumo  EN
American Kendo Zasshi
Battle Creek Kendo Kai News
Aikido Journal
Kendo World News
BOOKS
Miamoto Musashi: GORIN NO SHO - Nitten Ichi Ryu ozemail.com EN
Hawley Publications
Kendo Nippon Books
A Book of Five Rings samurai.com EN
Meditation Tip #1
  Peace in the Midst of Chaos
It's easy for us to get caught up in our busy world with our minds racing from thought to thought. This rapid-fire of thinking causes stress, and unless we occasionally slow ourselves down and take a moment to rest, we will continue to jump from thought to thought until we are mentally exhausted.
One technique to slow down and rest our minds is to interrupt our busy thinking by taking a moment to focus on something of grace and beauty. If we look for it, we can almost always find grace and beauty in the midst of the most chaotic day. Here’s a meditation that will help you see how this is done.
Close your eyes and imagine yourself asleep. An alarm goes off, and you are late for an appointment. So you jump up and rush to get ready. As you hurriedly get dressed, you take a deep breath and focus on a cat asleep in the next room. A moment later, you are in your car stopped at a traffic light. You feel stressed. So you look around, take deep breath, and focus on how peacefully the clouds move across the sky. Now imagine that you have arrived at your appointment -- a little late, but not bad. You have to wait to be seen. As you sit there, you begin to get nervous. You look around, take a deep breath and focus on a plant blowing gracefully by an air vent.
You can almost always find something of grace and peace in the midst of an extremely busy day. At times when your mind is randomly racing from thought to thought, you can interrupt this stressful thinking and enjoy a peaceful moment of meditation when you need it the most. by Jay Tyler © 2001 Meditation Monthly more: >>>

 Shinto Muso-ryu Jo
Shinto* Muso-ryu jo is said to be the oldest style for using a stick (jo) in combat in Japan. It was founded in the early 17th century by Muso Gonnosuke Katsuyoshi, an exponent of Tenshin Shoden Katori Shinto-ryu. Shinto Muso-ryu oral tradition maintains that Gonnosuke once fought Miyamoto Musashi, one of the most famous swordsmen of the time, with a staff (bo) in a training match and was defeated by Musashi’s cross-block (jujidome) technique. According to legend, Gonnosuke was dissatisfied with this outcome and retired to Mt. Homan, in what is now Fukuoka Prefecture, in Kyushu, where he engaged in a series of religious austerities, all the while contemplating the reasons for his defeat. Finally, he received "divine" inspiration about a new method of using a staff-like weapon, making it shorter (50 1/4") and thinner (7/8") for more rapid manipulation. He devised a number of techniques for this new weapon, which he called a stick (jo) (as opposed to staff or bo), that included the use of the thrust (tsuki) of a spear, strike (utsu) of a sword and staff and sweep (harai) of a naginata. Factual documents of the style (ryu) are quite rare. It is said that there is a record at Tsukuba Shrine, in Ibaragi Prefecture, that reports that Gonnosuke was able to defeat Musashi in a rematch. This story is not recorded elsewhere, however, outside fictional novels, and may not be factual. There are a total of 64 techniques in Shinto Muso-ryu jo that are divided into a number of sets, each with a different character. Training is systematic and develops the exponent’s technical skills and psychological abilities, from body movement and weapons handling to the proper use of timing, targeting, and distancing, and intense mental or spiritual training, all to enable the exponent to successfully use the weapon in mortal combat. Exponents begin their study of jo by learning a set of twelve basic techniques (kihon waza), which contain all of the style’s essential movements. They then proceed through different sets of techniques of stick versus sword(s): omote, chudan, ran-ai, kage, samidare, gohon no midare, and okuden. A final set, the gokui hiden (also called go muso no jo), consists of techniques that are taught only to exponents who have received a menkyo kaiden, the highest level of license in the system. Also included in the curriculum of the Shinto Muso-ryu jo are twelve techniques of swordsmanship called Shinto-ryu kenjutsu. The first eight techniques are long sword versus long sword, followed by four techniques that are long sword versus short sword. There are four levels of recognition in Shinto Muso-ryu jo. They are okuiri-sho, sho-mokuroku, go-mokuroku, and menkyo kaiden. Menkyo kaiden is the style’s highest level of recognition and these exponents are the only people who are legally qualified to teach and promote exponents of Shinto Muso-ryu jo. In addition to Shinto Muso-ryu jo and Shinto-ryu kenjutsu, a number of separate arts are taught at various points in an exponent’s training. They are considered assimilated arts, and include Uchida-ryu tanjojutsu, Ikkaku-ryu juttejutsu, Isshin-ryu kusarigama-jutsu, and Ittatsu-ryu hojojutsu. *The name can be spelled and pronounced either "Shinto" or "Shindo." Both are correct. This text has been adapted from "Field Guide to the Japanese Classical Martial Arts" by Meik & Diane Skoss; the original article can be found in Sword & Spirit: Classical Warrior Traditions of Japan, volume two. Source: http://shinto-muso-ryu.org
 Kyushindo Karate
One way in which Kyushindo Karate differs from some other styles is that is uses more natural, circular movements, as well as the straight techniques you would normally see. This makes it easier to move around an opponent rather than just defending or attacking from the front and in time, can give you more options against both single and multiple attackers. Blocking techniques are used to deflect an opponent's attack, rather than trying to stop it using only force and strength. Striking techniques such as punches and kicks are practiced from a relaxed position, so that speed and accuracy can be developed in preference to power. With practice, power does come from good technique and movement, but in Kyushindo, we do not use exercises like breaking boards or bricks to develop strength and power alone. Another difference from some Karate styles is that we don't aim for particularly high or fancy kicking techniques. Again, we concentrate on developing good, fast techniques which can be achieved by aiming for lower target areas. With practice, higher grades will be expected to get their kicks higher and combine them with more complicated movements; but we do not use forced stretching exercises to take kicks higher than you could do naturally. .Source: Kyushindo Karate
 Kyudo - the Way of the Bow
Centuries ago in Japan, archery was regarded as the highest discipline of the Samurai warrior. Then, as the bow lost its significance as a weapon of war, and under the influence of Buddhism, Shinto, Daoism and Confucianism, Japanese archery evolved into Kyudo, the "Way of the Bow", a powerful and highly refined contemplative practice.
Kyudo, as taught by Kanjuro Shibata XX, is not a competitive sport and marksmanship is regarded as relatively unimportant. According to Shibata Sensei, a master of the Heki Ryu Bishu Chikurin-ha school of Kyudo, the ultimate goal of Kyudo is to polish the mind - the same as in sitting meditation. "One is not polishing one's shooting style or technique, but the mind. The dignity of shooting is the important point. This is how Kyudo differs from the common approach to archery. In Kyudo there is no hope. Hope is not the point. The point is that through long and genuine practice your natural dignity as a human being comes out. This natural dignity is already in you, but it is covered up by a lot of obstacles. When they are cleared away, your natural dignity is allowed to shine forth" - Shibata Sensei.  Source: zenko.org
 Quote
Not to borrow the strength of another, nor to rely on one's own strength; to cut off past and future thoughts, and not to live within the everyday mind... then the Great Way is right before your eyes. - Yamamoto Tsunetomo
Source:
Warrior Quotes
 Sei Kosho Shorei Kai International
Sei Kosho Shorei Kai International is an organization dedicated to the preservation of the teachings of the late James M. Mitose and all other old masters.
1995 Eastern United States Kosho Shorei Ryu Kempo Summer Camp Staff:
David LoPriore Sensei, Larry Kraxberger Shihan, Bruce Juchnik Hanshi, David Champ Sensei, and Michael Brown Sensei. Source: Sei Kosho Shorei Kai International
 Nanbudo, philosophy and concept of
Energy, breathing, movement and mental attitude, as well as interaction and balance between them, are indivisible elements necessary for improvement of physical and mental health. To understand Nanbudo as martial art we can use three levels of practicing: First level technical assimilation of efficient aspects of different martial arts.
Second level physical reaching and keeping health through strict control of physical functions, especially breathing
Third level spiritual (mental) learning how to create self-control, imagination and intuition.
Nanbudo as a school of energy creation and martial art of the future was made in 1978, but it still evolves together with his founder. It is open system, functioning on a feedback mechanism.
Feedback is one of the elementary concepts we can meet in cybernetics, science of communication and organization of systems. Feedback is a method of controlling system by inserting results of preliminary actions. Nanbudo is evolving by that principle. Nanbu, as creator of ideas, sets some principles, lets them circle among the people and observes reactions. Students and teachers are representing feedback mechanism with theirs perceptions, critics and remarks. New ideas and principles are created, and they go to the beginning of the process. Nanbudo-Org: >>>
 Gen. Hi Choi Hong
Korean founder of tai kwon do. As a frail and sickly youth, he studied calligraphy and taekyon under the tutelage of Hann Il Dong. His turbulent political and military career began with an expulsion at 12 for organizing a student walkout, and includes a Japanese imprisonment for complicity in plans to overthrow the wartime military government of Korea.source: Dragon list
 Unarmed Defense (1943.)
Unarmed Defense for the American Soldier, June 30, 1942, Section II, Basic Principles Editor's notes by Joseph R. Svinth. Text provided by Mike Belzer. Copyright © EJMAS 2000.
PRINCIPLES OF UNARMED DEFENSE. -- It is of the utmost importance that in order to learn unarmed defense in the manner necessary to use it effectively, the principles be first mastered. a. The first principle is "balance." The accompanying illustrations will be used to point out the principle of balance. Figure 1-1 illustrates a man in balance with his legs apart. It is shown that the individual in this position is on balance from right to left and from left to right. However, figure 1-2 shows that he is definitely off balance forward, and figure 1-3 shows that he is also off balance backward. It is usually assumed that when an individual assumes the position of the charge he is on balance all the way around. Figure 2-1 shows that in a position of charge with the right foot forward, the individual is on balance from right front to left rear and from left rear to right front. However, figure 2-2 shows that in this position he is off balance to the right rear, and figure 2-3 shows that he is off balance to the left front. Notice the small amount of effort required to take an individual off balance when you know in what directions he is strong and in what directions he is weak. No matter what position an individual assumes, he is off balance in some direction. source: JOURNAL OF NON-LETHAL COMBATIVES more: >>>
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